Built around the songwriting talents of Emma Anderson and Miki Berenyi, Lush successfully defined a myriad of 90s scenes such as shoegaze, dream pop and Britpop before they disbanded in 1998. A much-loved band who briefly reformed in 2016, recent years has seen a new, young audience fall in love with their music after discovering it via TikTok, Spotify et al. And outside of a lavish Record Store Day career retrospective boxset in 2016, all three studio albums – 'Spooky' (1992), 'Split' (1994) and 'Lovelife' (1996) – have been unavailable on vinyl since the 90s.
With demand high, the band have been working with renowned engineer / producer Kevin Vanbergen to help them remaster their catalogue, starting with their studio albums. Using the original ½” production tapes for source material, Kevin has painstakingly worked on them to create brand new, stunning 24-bit masters that perfectly capture the thrill of the originals. They’ve never sounded so good.
Lush’s final studio album, Lovelife, dealt “Britpop the feminist counterpoint it sorely needed,” (Pitchfork). Produced by Pete Bartlett (Therapy?, Kitchens of Distinction), it features three of the band’s biggest singles in “Single Girl,” “Ladykillers” and “500 (Shake Baby Shake),” with Jarvis Cocker also featured on first-half closer “Ciao!”. Originally released in March 1996.
Limited clear vinyl pressing
Tracklisting
Side A:
1. Ladykillers
2. Heavenly Nobodies
3. 500
4. I’ve Been Here Before
5. Papasan
6. Single Girl
7. Ciao!
Side B:
1. Tralala
2. Last Night
3. Runaway
4. The Childcatcher
5. Olympia
