Copenhagen’s LLNN weld post-apocalyptic sludge and hardcore to widescreen synth design: dense low-end, mechanised grooves and drones that feel closer to sound design than ornament. The band’s current core—Victor Kaas (vocals/guitar), Rasmus Furbo (bass), Ketil G. Sejersen (synths) and Rasmus G. Sejersen (drums)—push a uniquely cinematic heaviness that sits between post-metal atmosphere and hardcore bite.
LLNN arrived fully formed with Loss (2016), introducing the template: scorched-earth riffing framed by ominous, wavering synths. Deads (2018) deepened the scale and ambience, and Unmaker (2021) honed everything into a compact, punishing statement—ten tracks that move from lurching, industrial churn to stark, glacial interludes without losing focus. Across these records you’ll hear the band’s hallmark contrasts: concrete-heavy rhythm, serrated guitar textures and cold-swept pads that widen the mix rather than merely decorating it.
LLNN’s studio catalogue has been developed with Pelagic Records, who issued Loss, Deads and Unmaker and continue to curate EU pressings and digital editions. It’s an artist/label fit that foregrounds sonic detail and presentation—important for music where sub-bass and space are part of the composition.
Our LLNN page focuses on 100% official audio—vinyl and CDs from Pelagic—so you can build a collection that does justice to the band’s low-frequency weight and dynamic range. Expect fast UK delivery and Eye Points on every order.
Unmaker (2021) — precise, compact and merciless; the clearest statement of their synth-laced sludge/hardcore to date.
Deads (2018) — wider ambience and pacing, with a stronger sense of narrative across the sequence.
Loss (2016) — the raw blueprint; introduces the crushing guitar/synth interplay that defines LLNN.
If you’re into the intersection of post-metal scale and dystopian tone-craft, these editions are the right place to start—records built for full-volume, front-to-back listening.
